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The finish of the wax is reminiscent of preserved flesh, akin to that of human sacrifices found in peat bogs. These works are a macabre hybrid of pagan and Christian imagery; the box becomes both a reliquary and a prison. They are not without the artist’s over-riding humour, cutout words and phrases attached to the figures double up as quirky titles."}],"markDefs":[],"style":"normal"},{"_key":"cda85c0c192d","_type":"block","children":[{"_key":"cda85c0c192d0","_type":"span","marks":[],"text":"Despite the grotesque, almost medieval nature of Rees’s work, at its heart there is a gentle compassion for the subjects he has summoned up. He does not pass judgement on them, allocating that task to the viewer; such are the subtle nuances of their appearance, the contradictory nature of the titles that the same conclusion is never reached twice. 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